poker flat roar back into action with a remix package for foremost poets classic club track, reasons to be dismla?.

sascha kloeber & partina records, a secret hint for superb produced songs in highest quality with a lots of feelings and musical emotions. from deep to nice. be careful with nights of the sun - it turns into a surprise by a heavy synthesizer sound. limited white colored vinyl with a special mastering: much more dynamic and smoother sound than the digital release.

for the labels fourth release the aula magna team welcomes our first international guest, uks rising sound architect tomas rubeck. with inster ep the artist presents carefully crafted dub techno cuts and for remix duty we invited swedens mattias fridell to cast his techno spark to the package. its clear that rubecks sound and groove palette is born from producer whose artistry has taken a major leap forward. richly textured soundscapes define inster 01 and inster 02 on the a side, deep and warm tracks that hypnotize on steady but pushing beats. an inspiring experimental attitude gives shape to the aforementioned and the rest of the record. b sides inster 03 rests on a more broken-beat focus and the digital exclusive inster 04 shifts back to the dancefloor. in between, fridells cleverly designed rework of 03 boosts rubecks sounds into peak-time mayhem. a futuristic odyssey through unexplored acoustic dimensions awaits the listener

from shattered court dreams to booming international dj gigs, marius maier, a former german youth basketball champion, retired from the game after sustaining a knee injury a few years ago. but like any as one door closes…-story goes, re.you quickly channeled his energy and ambition into electronic dance music. he exchanged his jersey number for an artst alias and the reincarnation birthed a rising talent by the name of re.you. new to the mobilee booking roster, re.you has already delivered his second ep on the 112 mark titled, anyway. this three-parter includes the self titled anyway dominating the a-side while the flip side brings it down with you had enough featuring forrest. and a remix of the lead track from re.yous live act partner, rampa. the duo perform as rar and are available on cocoon records.

as if our recent releases hadnt already been spreading the sound of circus company into new and exciting places, now our very own silver-tongued enchanter jaw emerges with the first details of his own autonomous project. somewhere in between the electronic drive of his day job in dop and the folky, organic instrumentation of les fils du calvaire, jaw shares with us a new venture that has thrust him into the studio with lebanese musician kevork keshishian.

a journey into connective contrast, the oxymoron lp is justice & metros best collaborative work to date. a refined exploration of self, history and the unmistakable mjazz sound. paradoxically both future and retro, a true oxymoron. support from dj flight, blocks, asc, sam kdc, code and jason os.

last years universally acclaimed full-length the predicting machine found musical mastermind and producing demigod john tejada in full gearhead mode. hunched over a plethora of synth modules, the la-based sound wizard dug deep into the circuits and put together an expertly crafted album driving both lab rats and floor lizards in a glorious frenzy. now, the puppet master returns with somewhere, a double headliner 12 inch relighting the fire and putting the beats where the mouth is.

in january the debut album the damage is done by hot coins, the disco crossbreed project by danny berman (best known for his house productions as red rack em), was released. his personal time machine journey into the sights and sounds of downtown new york sometime around the late seventies/early eighties is much more than a tribute to his heroes of those times. its also a brilliant examination of todays club music.

muhks second release with this warm, retro sounding, analogue drenched number that will punch into your soul.

the mysterious detroitrocketscience project is back for a third vinyl-only excursion into deep space, with two more cosmic journeys. the sub-space signals and minimalism and heartbeat intro of zeta-reticuli 4 give way to deep, introspective strings as we journey through the interstellar gate to our titular destination, a class-m world in the zeta-reticuli system. cosmic. meanwhile on the b-side, the melancholy-yet-minimal xetra takes the listener ever deeper into unexplored, zero-gravity soundtrack realms while still retaining its requisite, earth-based, (neo-) detroit-style machine soul.

our leader unveils yet another facet of his production arsenal, this time turning a housey cheek, courtesy of sa ensual, yet chopped-to-bits vocal. the jacking rhythm section skips along in pure style, keeping the tight bassline in check while frantic edits help i need you to fully unfold. stefano noferini nods to the old school in this double outing, and furios blasts out with a nostalgic bassline and intense beeping action over a crackling rhythm section. the title track goes for more heady territory with a hypnotizing vocal seeping in and out of the cracks, while the trademarked noferini groove keeps the bubbling subs in check. the undisputed groove don, dj pp, graces 1605 with revolver amo & navas beef things up even more with their crunchy rhythm section, and opt for a dubbier vibe with their trademarked stomping groove and spacious, low-end percussive magic. dj fronter leads us into another bouncy ride with the percussion-led cntrl and next taking the lead and rolling out into action

mr. munk is back! having released nothing since 2 years - now he comes back with misterio: an ousider house bomb that sounds like the perfect follow-up to his last albums hit la musica. misterio starts like a normal house tune. based on fat house drums and a catchy bassline. but after the intro it turns into crazy new wave funk. new york early 80ies style. fucked up guitars and a guy shouting in brazilian, spanish and english languages.

vinyl only, 180 gramm pressing, red vinyl and strong limited. this release is for every deeply packed record bag. primary >colours< is proud to follow up their blue release with another fantastic, limited, vinyl only treat. echo inspectors, ‘ghost flight’, is chosen for the red release in this 3 colour series. with a philosophical notion, ghost flight is an eclectic journey into deep, dubby techno. this scratchy, stepping, techno groove is surrounded by rootsy elements accompanied by superb bass. the delayed, washy elements and soul grabbing overtone are all superlative in aggregation – >a spirit of an age to which no one can return.<
salz dub has certainly salted up the flavor on this release. with their unique signature of swinging dub tech they deliver a faithful yet revived edit of >ghost flight<. this track sucks you in for the whole journey! the infectious groove, vocal edit and drop are nothing short of fantastic.

a powerful and unique musical voice from brussels, belgium, goldffinch have launched themselves swiftly to the forefront of their chosen electronic music style with a series of unmissable dancefloor weapons on labels numbers, dirty bird, saigon recordings, airflex labs and audio culture. yoann and gilles, the duo behind goldffinch, have let themselves be inspired by current movements in electronic music and have worked to redefine it in their own unique way. one of their trademarks is stuttering vocal samples worked indecipherably into their own groove, a skill built from their formative years listening to hip hop.

asc returns to samurai red seal in his first release for the label since 2012s out of sync & lost sync series. debuted on mary anne hobbs xfm show, polemic is yet another genre bending, tempo shuffle that brings a powerful acid line to the table. a favourite with the likes of dbridge, om unit, and sam kdc as well as label head presha, this is a tune that truly goes back to go forward. oracle slides back into a more traditional, but not any less unique asc groove, combining a heavy dubbed out bass line with other world ambience and percussive perfection. 909 rhythm track comes as a vinyl only exclusive, in the techno tradition it does what it name says it does, a dj tool for the adventurous maestro. limited blue coloured / white marbled 12 inch vinyl.

if you look into the night sky you can see a shadow of the headless horseman and his steel. this time around he has taken perc prisoner in the graveyard. as we know, decapitation does not come without con- sequence. rumor has it that the horseman is continuing his journey throughout the land and will strike again so beware.

*** vinyl only release, no digital release***
after sides from matthew burton, seuil and albert schwartz, sammy dees ultrastretch label returns in 2013 with volkan akin. a regular presence at berlin institutions like club der visionäre, akin has been slowly rolling out his brand of prickly, spaced-out club tracks since the end of the last decade, both under his own name and as v for volkan. but if volkan akin has up until now been unfamiliar beyond germany, his ultrastretch debut, voltage, featuring an absolute beast of a ricardo villalobos remix, stands to turn more than a few heads in his direction. densely packed and intricately constructed, voltage is an extended groove you can get lost in. cymbals ring softly amidst whirrs of faintly melodic clicks, scratches and voices. but at the center of akins churning, percussive arrangement lies a warm and weighty kick sure to keep dancers pinned to the floor. like so many great perlon records, voltage can be taken as a deeply considered exercise in sound design or as a deadly club track simultaneously, with akins musical sophistication and knack for an inviting beat working hand-in-hand. the original mix spends over 11 minutes unraveling, but as you fall further into the swirl of akins interlocking rhythms, youre likely to stop counting. a shorter constant voltage mix evokes sunrise, pulling back the originals heft to reveal gorgeous pads and hints of organic rhythm. ricardo villalobos, sammys longtime label mate at perlon and a producer who likely needs no introduction, digs deeper into the thump at the heart of voltage on his acdc remix. focusing on the originals wisps of melody, villalobos turns in a warm, zoned-in remix that feels of a piece with the singular techno trips found on his recent lp dependent and happy

may 20th 2013 will see koreless release his debut solo ep yugen on young turks. following on from previous releases 4d/mti and lost in tokyo, and his collaboration with sampha for short stories, welsh born producer koreless has well and truly defined his own sound. existing somewhere between soulful electronica and eno-like ambience, the emotion filled soundscapes of y?gen give the listener a glimpse into the vast concepts imagined by koreless and presented through his music, artwork and performance.
remarkable in its restraint, sophisticated despite its simplicity, and almost entirely beatless, y?gen is a bold statement that deserves to be listened to and lost in.

phreakin acidic house bombs , fits perfect into groovy techy sets

drauf & dran – bekannt von kallias records. hier treffen verschiedene musikrichtungen aufeinander. dies wird auch auf seinem neuem album *colors* deutlich, welches auf style rockets, einem sub-label von kiddazfm, erscheint.

the mysterious wpbh label strikes again with two killer tracks from the vaults of one certain harry baldi. all that is known about this harry baldi character is that he once squeezed 100 tracks into a 9 seconds mix on his soundcloud and that he has never played at panorama bar or any other club for that matter.
so this one is truly a matter of the music doing the talking, and with the reggaefied dubness of cant kick this feeling when it dubs and the vintage theo parrish-styled tonight tomorrow the music will well and truly talk to a lot of music lovers.

with local talk release no. 30 we are moving further into territories of straight up no fuss dance floor action. already having releases on dirt crew recordings, murmur & hypercolour elef knows a thing or two about delivering jacking tracks. wake up call comes in two versions. the original version is a kick & snare pattern driven monster track with heavy arpeggios and deep pads. on the flip brennan green doesnt hold back either. the main melodic pattern together with percussions is unleashed straight on and as the tracks evolves he adds tr-303 lines making the track even more epic. as elef described the remix as perfect for a panorama bar set. the remix is worthy enough based on that one side alone.

alan fitzpatrick yet again doesnt disappoint with his remix of riots in london that uses delayed stabs and a rolling bass line to construct another dark peak time player. jerome sydenhams carbon dub of smoke and mirrors is heavily dynamic and uses a piano chord andthe original vocal to create an energetic vibe. cari lekebusch remix of bullet uses a phased underlying melody to really drive the track forward before the bleep melody is introduced later into the track.

adesse has recently turned heads with his sought after and limited versions releases. for prime numbers he brings another high quality ep featuring three more excursions. the title track, untitled love, is a dubbed up 90s-esque workout. repetitive vocal samples swirl over a deep, low-slung bass groove & peak’d-up snares. its an unashamedly wide eyed, bouncing production that will please those checking for the current resurgence of raw garage sounds. supernal takes things into deeper territory with an intriguing steppers outing. the track oozes soul with rousing keys & smoked-out production that is all kept in line by a mesmerising, metronomic vocal. the set is closed by metachemistry an equally engrossing track utilising a shuffling groove wrapped in breathy, reedy horns & heavily reverbed percussion. all told a deeply reverential release highlighting a producer with an obviously wide palette of influence & a natural feel for what simply works.

run by two thirds of the team behind hypercolour - ste roberts and alex jones, alongside dave elkabas - the initials imprint has made an auspicious foray into the world of electronic music, with releases and remixes from the likes of the analogue cops, kris wadsworth, boola, jay bliss and the greenville massive. for the sixth ep, roberts himself appears with a solo track, as does finale sessions producer will azada, and the pair also contribute a collaborative effort featuring dick darling.

midland, dusky, bicep, and now, glimpse. aus music continue to push further forward into 2013 with another collection of carefully curated tracks from the london-based producer, christopher spero.

we are excited to present our fifth release straight from the hands of our favourite scandinavian magician martinez. a very special 3-tracker baked with the danes trademark ingredients! our a-side kicks in with above, a funky number with an irresistible groove and raw house feel. dissident is the perfect complement for this side with its heavy jackin bounce. on the flip, magnolia takes control and tunnels us into its progressive trip. enjoy the flavours!

for 124 recordings 4th release, austrian producer fabe steps up, and with the help of 2 killer remixes, delivers an ep that ticks all the boxes the original dusty chords starts as it means to go on with a baseline that instantly draws you into the groove before the chords lighten the mood and show you what this track is all about....

turns out that cold meat lights no fire so attached to this music are ghosts of my life transcribing their emotions into techno. first half of this rocket is more on a negative tip, the second half is more positive, like we all should take it. either way you should listen to both sides cause they complement each other, so try to relax and enjoy the ride, or get off your ass and jam.

listening to >white< by finish artist abysss is like closing the eyes and dreaming your own movie to the sounds you hear. it is the perfect soundtrack for staring into the sun and walking through clouds where synths meets found sounds, lo-fi recordings are hitting loops n accidents and lovely melodies are forcing high goose fleshs of luck…

d.fine is a young house music producer from bordeaux, france. his house renditions of popular hip- hop songs like asap rockys *wassup*, mercy, and the weekns zone are what originally garnered him the attention that he is currently enjoying. foul & sunk is hosting the three-track ep from d.fine titled backyard slated for release next month. the melody he creates with synth over not-so-unusual house beat arrangements, his very own bass, the rap gimmicks hes still fond of, and the smooth atmosphere he is putting us into you will recognize for sure. foul & sunk label head shaddy is delivering the remix to elle..

limited edition of 275 numbered copies.
when gilles peterson reacts to a house record, you know it is a very special house record. deep and soulfull, love it - was what the 6 music dj thought of these two. if that wasnt enough, trickski described best things in life are free as one hell of a bomb. add in support from jimmy edgar, mark e, severino and dusky and this is looking like one of glasgow undergrounds most successful records to date. love games is the a bit of a wolf in sheeps clothing. what starts off as hooky percussive groove slowly morphs into a full vocal classic with swirling chords and a killer synth hook. severino dropped it at fabric recently and took the roof off the place. best things in life are free is a darker affair – all wandering acid lines and moody, emotional strings - but as trickski proved when they played it at watergate, just as effective.

diamond version craft music that is somehow simultaneously futuristic and archaic. on the surface, its static effervescence and mechanistic precision evoke the march of technology and the sinister detachment of late capitalist society. but it affects listeners on a more instinctive level, interfacing directly with the nervous system and rendering the polyphonic chatter of the bodys impulses crisp and cold. there is something oddly permanent about they rhythms they unearth, as though theyare simply tapping into a deeper pulse that has always been present within their circuitry. diamond version is a collaborative project between two of the most groundbreaking, experimental and forward thinking operators in modern music, olaf bender and carsten nicolai. as joint heads of the berlin-based label raster-noton and with solo projects alva noto (nicolai) and byetone (bender), for over a decade they have been releasing work that spectacularly blurs the lines between the visceral and the conceptual, bridging the gap between gallery and dancefloor. diamond version release the latest instalment in their series of eps leading up to an album in summer 2013.

nm004-001y, the first release on neustadtmusik yellow is brought into being with kollers creative and playful tracks where beats collide from different styles and tumbling rhythms are combined with melancholic sounds

rob duke is back on the field with several new weapons to spin out! three original track and one featuring with noon. this new ep represents a nice form of the fusion between house and tech house. a great journey into a deep addictive groove surrounded by fat bass line and surprising organic sound

young adults enters its sophomore year with an ever expanding bag of left coast body music. having released 12 inches from westward wonder kid suzanne kraft and a sampler ep that culled production heat from both the us and abroad, 2013 finds the house and disco hub digging deeper to keep speakers bumping and dance floors steamy. house slippers is an exploration of the night – sultry whispers, percolating elixirs, coos, croons, red lights, black lights, and strobe lights – all situated in downstairs speakeasies, lofted warehouses and hazy afterhours. the compilation soundtracks the progression from dusk till dawn, complete with warm up burners, peak time jammers and comedown chuggers. with contributions from permanent vacation, mark e, ben la desh and others, ya continues to curate its signature sound with like-minded party rockers.

third release on big box recordings! upcoming producer and multi intrumentist aliwud, delivers a masterpiece ep! discover his midas touch, strongly influenced by major artist like george duke, herbie hancock, stanley clarke his sound mixed up 70s funk & neo soul. he shares his legacy with miri & emund swinburn from london to give birth to this wonderful ep >here i am<. the weshokids turns >give you everything< into a dubstep anthem! and la tourette delivers a great house remix with his rework of >don’t stop now< aliwud is here ! dont miss !

after last years dystopic debut, super strength ep, rising parisian cedric bros aka marcelus returns to tresor with something a little more deep and shiny in emerald. once again marcelus conjures up the spirits of detroit and berlin techno, moulding them here into dreamy modern house incantations-an inspired blurring of the lines the well-versed frenchman has been rehearsing over the last decade.

we are just into developing the 4th cromosom, this time with massive sounds by australian elektrax labelhead dj hi-shock and two evolving big room techno tracks. including this time a retro acid-remix by french m.a.d.a. and an reduced darken techno interpretation by nagai sae

nick woolfsons teng imprint drops, tactics, this april by german producer mias void, backed with a remix from the barking dogs. mias void, better known in the industry as matthias vogt, has been producing infectious house grooves for quite some time now, with releases for labels such as, chicagos large music and lazy days recordings. here vogt pushes into new territories under his new mias void guise, matthias sees this alias as a chance to express a new, more experimental side of his productions, yet keeping the mv initials to maintain a lock between the distinctions. with releases pinned down for polytone, lo:rise and fullbarr already, this new sound will undoubtedly be as well received as his deeper explorations.
supported by: dusky, iron curtis, akra, john osborn, jacques renault, seth troxler, laura jones, radio slave, uzuri, tony rodriguez, m50, maya jane coles, alex coulton, flori and many many more!

the next vinyl-only release on candela rising is a 3 track ep from irish duo dara smith & ian mcdonnell, a.k.a lakker. all topped off with a remix of the title track by us born and birmingham based dj skirt. after a string of extremely successful releases on blueprint, killekill and an early 2013 release in the shape of a remix for stroboscopic artefacts, lakker are back and showing more range than ever before. coal bath is a real frankensteins monster of a track, a techno/garage hybrid with haunting vocals hiding through the middle and broken beats that hit hard. skirts remix takes coal bath and lays down some heavy demented bass, chops up the middle and grooves things up. all of which leaves a remix ready for the bunker or warehouse. on the flip, rsspstp is a heavy hitter. distorted bangs set the pace for this one, which evolves into a prime example of the attention to detail lakker are so famed for. machine music at its best. the final track on the ep, brood, is dark and dense, full of cold atmosphere, sub-low beats and distant, distorted drones. techno for the darkest floors ...

gosub returns to abstract forms with a six track transmission. mirror watcher is a kaleidoscopic serve of elektroid attitude. starting with the title track, a futuristic piece of synth-funk with a brilliantly sleazy vocal, immediately moving into deep aquatic territory, then building the pace back up for the encore of freaky fast paced electro. sublime. vinyl limited to 250 copies.

second 12 inch in the testpressing series, hand-stamped sleeve including insert with artwork by alex solman. mastered and cut by matt colton at alchemy, pressed at pallas so here we are at part two in the series: grows without bound on the a-side is a monster, a noisy analogue session resurrected from the burning embers of industrial and noise, harnessed into an unstable growl that slowly makes room for a barely-there percussive stumble - think somewhere between vainio and nate young. over on the flipside primitive equations takes for inspiration the bare-boned, hyper-tense production of photeks still devastating ni-ten-ichi-ryu, slugging out feral, steely noise and ardcore torque forged by calloused hands and burning minds to cruel, propulsive effect.

deadly poison is the fourth installment of st petersburg-based producer sanys on discerning downfall theory series. retaining to the a/b format and treading a heady, analogue-hued line with releases thus far on predecessors control freak / event horizon, forward thinking logic and daily situation which supported a stunning rework from chicago-based, detroit-born producer alex israel, deadly poison continues to march on in gritty, idiosyncratic fashion only this time fractioning off and multiplying into four distinct, yet symbiotic floor workouts. on the a-side hired guns kicks off with no-holds barred, full-on weighty bass weaponry before grab them back in reins things in, just a little: a dystopic soundtrack full of clanging machines rung through with the filmy dread of a waning humanity. on the b-side concern continues in plain rude as distorted vocals are twisted into evil barks and plied with itchy hats to warning chimes and a bounding bassline in this weird and wonky builder. down and dirty then concludes—as the title suggests—in deep, raw analogue terrain. having already caught the attention of people like blawan, rivet and brendon moeller, deadly poison consolidates sanys skills as a one to watch maker of provocative, sensitive and fiercely independent dance music.

aksutique is the moniker of matthias springer for his deep ambient techno, dub techno and downbeat productions. matthias has released several productions over the years, ranging from techno to chill out music under different names. the notch fields ep is the first vinyl release for aksutique and features 3 tracks of aquatic dub influenced deepness that sucks you right into its maelstrom of endless echoes, synth swirls, noises and reverberated chords. “echolot” for example is a pure intense submarine cinematographic infinite journey that takes you into the depths and never lets you free again. the record features an additional dark and electronic rework by valanx aka arne weinberg that drenches the original in eerie voices, electronic sounds and deep bass. not for the faint hearted.

kiara records starts with a fantastic 4 tracker by loquase (series 3) into the new year !! incl chris lattner remix

exploitation is the new film by dutch independent filmmaker edwin brienen. enfant terrible produced the soundtrack for this gothic-noir satiric fresco. 90 minutes of music to be enjoyed both as true soundtrack as well as a sequel to previous enfant terrible compilations... but more dramatic and ritualistic in the way the record is building up. it will please fans of minimal electronics and (post) industrial music but also moves into different styles such as idm, tekno, angst pop and chanson, while always keeping a dark and cold mood and/or dream state feeling throughout... limited edition of 250 copies!

i had dinner with breach in london and he told me: hey, i have a track that is really dirtybird. i would put it out but its really sounding right for you guys. i took this with a grain of salt but then i heard lets get hot and i found out he was right. it has got the swagger and the sound. it makes girls grind their asses into boys crotches on the dancefloor. perfect. signed. so i then asked him to make something even more sexual, thinking it would be ages before i got something back. 10 days later the a-side came back to me as a 2 minute clip while i was on the train to warehouse project in manchester. i liked it so much that i edited it on the train to stretch it out to 5 minute. as expected, it slayed the room and the final version breach has delivered is one of the best records of the year in my opinion. with the simple title of jack you can see for yourself when you play it. this is the real deal. love, vonstroke

after a long wait slowpitch proudly returns with the third vinyl of its imprint, the label once again demonstrates great skills in collecting new collaborations and for being a good platform for emerging artists. mass digital and curly project have provided this new 4 tracks ep which includes also two great remix from denis yahsin and mirco violi, the result is a quality deep house and house pack that signs definitely an important step forward into the path of this label and its artists.